The "tessitura" concept addresses not merely a range of pitches but also the arrangement of those pitches. Melodic contour may also be considered to be an important aspect of vocal tessitura. The tessitura of a part will often influence which clef a particular piece of music is written in. The tessitura of a piece is not decided by the extremes of its range, but rather by which part of the range is most used. In musical notation, tessitura is used to refer to the compass in which a piece of music lies-whether high or low, etc.-for a particular vocal (or less often instrumental) part. For example, throughout the entirety of Wagner's Ring, the music written for the role of Siegfried ranges from C ♯3 to C5, but the tessitura is described as high because the tenor phrases are most often in the range of C4 to A4. This broad definition is often interpreted to refer specifically to the pitch range that most frequently occurs within a given piece, or part, of music. In music, the term tessitura (plural tessiture Italian, meaning "texture", and from the same Latin word: textura) generally describes the most musically acceptable and comfortable range for a given singer or, less frequently, musical instrument the range in which a given type of voice presents its best-sounding texture or timbre. For the arts enterprise software, see Tessitura (software).
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |